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"The day before yesterday I was writing an episode of Bleak House about this sinister solicitor who is telling a witness that for identification she must take her glove off.
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"It's actually hard to stop yourself writing comedy," says Davies, who is now turning Charles Dickens' Bleak House into a 20-part TV series.

Renee Zellweger was so good in the main part that I'm sure people will want to see her again."Īnd even though Davies may spend much of his time adapting the more serious classics, he admits that he is often tempted to inject those scripts with comedy moments. It's been too long coming, but I hope that will make people even more eager. "I hope the film does as well as the first. "But I said I wanted to go out with Helen Fielding and go to all of Bridget's haunts and drink a lot of Chardonnay and basically have Bridget times, and we did."ĭavies, who now lives in Warwickshire, was more than pleased with the end result of the first film, and he's now waiting for editing to be completed on The Edge of Reason so he can see the final version. "I was terribly flattered that Bridget was such a fan."Īnd when he was then invited to adapt it for the film, he did not hesitate to say yes.
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When Davies read the first Bridget Jones book he was delighted to discover that Bridget was a huge fan of the TV series Pride and Prejudice, which Davies himself adapted. And, unlike in the book, Hugh Grant's character goes to Thailand," he reveals. "I think those scenes in the film are even better than in the book - they are very funny. The film, The Edge of Reason, is due to be released this autumn and once again stars Renee Zellweger, Hugh Grant and Colin Firth.ĭavies says his favourite part of the film is when Bridget holidays in Thailand and ends up being thrown into prison. Of course, the Cardiff-born writer is no stranger to humour, having worked on many comedy scripts in the past, from his original TV series Game On to the feature film Bridget Jones's Diary.Īnd Davies has had plenty of comedy moments in recent months while adapting Helen Fielding's second instalment about her single, 30-something, Chardonnay-swilling heroine Bridget Jones.
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The man responsible for bringing Pride and Prejudice, Daniel Deronda and He Knew He Was Right to the small screen, offered tips to would-be writers on how to raise laughs. HE is best known for his bodice-ripping adaptations of the classics, so it came as something of a surprise when Andrew Davies hosted a masterclass at the Hay Festival yesterday - in comedy writing.
